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Named One of Kirkus Reviews Best Fiction Books of 2014
There are so few established facts about how the son of a glove maker from Warwickshire became one of the greatest writers of all time that some people doubt he could really have written so many astonishing plays. We know that he married Anne Hathaway, who was pregnant and six years older than he, at the age of eighteen, and that one of their children died of the plague. We know that he left Stratford to seek his fortune in London, and eventually succeeded. He was clearly an unwilling craftsman, ambitious actor, resentful son, almost good-enough husband. But when and how did he also become a genius?
The Secret Life of William Shakespeare pulls back the curtain to imagine what it might have really been like to be Shakespeare before a seemingly ordinary man became a legend. In the hands of acclaimed historical novelist Jude Morgan, this is a brilliantly convincing story of unforgettable richness, warmth, and immediacy.
- Sales Rank: #1314019 in Books
- Published on: 2014-04-01
- Released on: 2014-04-01
- Original language: English
- Number of items: 1
- Dimensions: 8.48" h x 1.43" w x 7.34" l, 1.13 pounds
- Binding: Hardcover
- 448 pages
From Booklist
At the age of 18, William Shakespeare married Anne Hathaway, a woman six years his senior and already pregnant. These facts, among a smattering of additional information, are really all that’s known about the early life of English literature’s most celebrated author. From this paucity of hard facts, novelist Morgan sets out to explore Shakespeare’s personal life in some comprehensive way. He is successful in some respects, bringing into sharp focus the voice of Anne Hathaway, weaving in the personalities of Ben Jonson and Christopher Marlowe, and laying out Elizabethan life in a way that feels authentic. Morgan is no stranger to literary historical fiction, and readers of his previous works, including a novel about the Brontës (Charlotte and Emily, 2010), will note that The Secret Life of William Shakespeare takes liberties with the Bard’s words, motivations, and personality while staying true to the spirit of the Shakespeare we all know and love. An entertaining read. --Heather Paulson
Review
“It's hard to imagine a better historical novel about the Bard than this one; in quality and power, it rivals Hilary Mantel's justly acclaimed books (Wolf Hall; Bring Up the Bodies) about Thomas Cromwell....Morgan's novel will stimulate the same literary enthusiasm for the Elizabethans.” ―Library Journal (starred review)
“Morgan writes masterful characters...In a layered narrative with a richness that rewards measured reading, Morgan re-creates Shakespeare's Elizabethan milieu, every place and person rendered with near-perfect realism....A tour de force.” ―Kirkus Reviews
“An imaginative, absorbing and totally believable story...[Morgan] even follows Shakespeare's lyrical meter and phraseology in this biography that's as lively as a Shakespeare comedy and as human as one of his dramas. Truly a delight to read. ” ―RT Book Reviews
“An entertaining read.” ―Booklist
About the Author
JUDE MORGAN, who studied with Malcolm Bradbury and Angela Carter, lives in England. Morgan's previous works include Emily and Charlotte, a novel about the Brontë sisters; An Accomplished Woman; Symphony; Indiscretion; and Passion, which was called "one of the best books of 2005" by The Washington Post Book World; and most recently A Little Folly.
Most helpful customer reviews
16 of 16 people found the following review helpful.
'...And all the men and women merely players'
By FictionFan
If you're going to write a book about one of the greatest writers of all time, then you need your own writing skill to be able to stand the inevitable comparisons. Jude Morgan's does. This is a beautifully written novel, each word carefully crafted to draw the reader in to a world full of poetry and drama.
Morgan fills the gaps in our knowledge about Shakespeare's life by creating a character who is completely convincing and compelling - a man who questions his own existence except as he lives through his work. Morgan broadens out the tale to allow us to meet some of the other greats of Elizabethan drama, - Marlowe, Jonson etc - painting a picture of how the competition amongst these men drove each to strive for ever greater heights. We are shown how patronage and the Court influenced the dramatists and poets of the day, but we also see the other side of London - the constant fear of plague resulting in regular closure of the theatres, the uncertainty and often poverty of the players' lives, the need to please both masters and audience. All this gives a real insight into the development of Shakespeare's writing, but the author wears his research lightly and weaves his knowledge seamlessly into the story.
But much though I loved the story of Shakespeare and his London life, for me the standout feature of the book was the character of Anne - her love for Will, her fear of losing him, her strength to let him follow his driven path despite the cost to herself. Through her we see the contrasting life of small town Stratford, still very rural, where everyone knows their neighbours and family is everything. We see Anne grow and develop as she tries to reconcile her pride in Will's accomplishments with her sense of abandonment. She has to provide the strength that can make their relationship survive his absence, that gives him the freedom to be something she never fully understands. Will says 'You made Will Shakespeare, Anne. And without you there wouldn't be a life, but the unformed shape of one, never to be.' And such is Jude Morgan's skill that this reader believed this completely.
A wonderful book that will appeal not only to Shakespeare fans but also to anyone who appreciates a superbly crafted tale filled with poetry, humanity and tenderness. Highly recommended.
0 of 4 people found the following review helpful.
It is hard to imagine he had secrets.
By DJ
My spouse bought this.
8 of 8 people found the following review helpful.
The writings illuminate the man; the man illuminates the writings
By Lady Fancifull
I got introduced to Jude Morgan through the very wonderful The Taste of Sorrow and was swept up by his ability to write what I suppose must be called 'fictional biography'. In that earlier book, he had clearly steeped himself intensely in the writings of the Bronte Sisters, and also in the known biography of their family, and had produced an astonishingly beautifully written, creative piece, true to their literature and what we know of their lives, but rounded by the imagination of a superb narrative and empathetic imagination. I felt my understanding of the books and the lives had been enriched.
In that earlier book, we were dealing with a more nearly modern world, where facts can be checked, less than 200 years ago. This time, Morgan has freer range with creative imagination, as the facts of Shakespeare's life are far fewer, though the canon of work by which the man is also revealed, is much larger. And it seems to me that what Morgan has so clearly done is to say 'by their works, you shall know them', and has steeped himself in the work, to reveal an idea of Shakespeare the man. Which seems enormously right and proper.
For me, this was an utterly successful book. I have spent the past few days letting the reading settle, really wishing I could meet Shakespeare, but with a wry smile, as of course I can, by re-reading the works. Morgan, a beautiful writer, does well with these fictional biographies of other beautiful writers. Phrases from the plays and poems are scattered, very naturally, within the text.
He has even made an acute and creative leap to make a virtue out of the fact that we know very little of the man. Other more defined historical characters trot through the pages, Jonson, Marlowe, Kyd, Dekker et al - but it is Jonson, musing about his friendship with Will, who is given this thought
''How if indeterminacy is Will's essence? But it can't be- because if he is nothing, how can he be what he so magnificently is?''
Shakespeare the actor; Shakespeare the writer. Both acts which if properly done, require a kind of negation of the self and the ego, so though invention must come from the actor or the writer's sense of self, there must be a supreme and non-judgemental ability to get inside other - however virtuous or vicious that other - and inhabit them from within themselves, not from a sense of the actor or the writer commenting on their creation.
Magnificent book, Mr Morgan. Not least also for the literary criticism element - but from showing how Shakespeare, Jonson, Marlowe et al as people, give rise to who they are, as writers. Morgan illuminates the men by their writing, and it is the writing which illuminates the men. He (Morgan)has a brilliant almost psychoanalytical understanding of human complexity, and how to allow each person to show their story.
I was given this as a review copy
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